’The music by Jesús Díaz immerse us in a place where land and sea, dream and reality, tend to collide and merge’ Hollywood Reporter
’An immaculate score from Jesús Díaz, always unexpected, beginning as a barely perceptible part of the environment before coming to the uneasy fore’ Filmmaker Magazine
'His core idea is the constant exploration and fusion of styles, which defines his musical liberty' Arte en la red
'Sublime music' Au coeur del horreur
Music In Silence is a soundtrack production company for cinema, series, advertising, and dance performances. It was founded by composer and producer Jesús Díaz in 2015 with the objective of offering a 360º musical composition service.
We compose our own music, we produce it, develop strategic concepts for every project (music branded content), design sound, fabricate our own instruments
as well as mix and master.
We have composed for feature films, series, TV, dance performances and have created music for international brands.
SOUNDTRACK COMPOSER AND MUSIC PRODUCER
Founder of Music in Silence in 2015, based in Madrid and Barcelona, he has composed a wide range of soundtracks nationally and internationally for cinema, publicity and dance.
Highlights in his oeuvre are the co-produced American movies ‘Aloft’ and ‘The Debt’, the French multi-award winning film ‘Evolution’ as his original music compositions in the series ‘Cannabis’ (Netflix), ‘Todo por el juego’ (Movistar+), etc...
He has garnered various awards and recognition as a musician at an international level.
CFO AND LEGAL
Finance specialist and lawyer with an MBA in ESADE, he has an extensive experience in finance, production and innovation. He’s specialised in musical strategy and setting up business plans for brands and production companies. Alexis is in charge of logistics and manage as well the legal and financial department of Music In Silence.
Composer, Orchestra Director and Pianist
Orchestra director and pianist from Mallorca who has worked with composers such as Hans Zimmer, Heitor Pereira, Lorne Balfe, Joan Valent, Ludovico Einaudi, Pascal Gaigne, Harry Gregson-Williams, Rupert Gregson-Williams…
Sound Designer and Mixing Engineer
Sound and mixing engineer for cinema. Highlights in his body of work are (among others) ‘El Laberinto del Fauno’, ‘Rec’, ‘El Rey de la Habana’, ‘Un Monstruo Viene a Verme’. He has also recorded classical music, opera as well as artists and concerts nominated for the Academy Awards, Grammy awards, Emmy awards and Goya or Gaudi awards.
One of the prime sound engineers and designers in our country.
She has worked on movies like ‘Map of The Sounds’ by Isabel Coixet, which was nominated at the Goya Awards for best sound, ‘La Teta Asustada’ (Claudia Llosa), which was nominated at the Oscars for best movie, ‘Abracababra’ (Pablo Berger), ‘El Maquinista’ (Brad Anderson), ‘Madre’ (Rodrigo Sorogoyen), ‘El Arbol de la Sangre’ (Julio Médem) etc.
Mastering and Mixing
Sound/mixing and mastering engineer, has worked for more than 20 record companies, among which Warner and Universal, more than 100 artists, including Macaco, Los Planetas, La Bien Querida, Joe Crepúsculo and movies like ‘Vicky Cristina Barcelona’, ‘Ahora o Nunca’, ‘Mon Petit’, etc.
Sound and Recording Engineer
Sound engineer, has done post-production for documentaries and videogames both as a recording and sound engineer, as well as for companies like Apple and BMAT Music Innovators.
Direct Sound and Mixing
Sound designer, direct sound recorder and mixer. Works for publicity companies, cinema, series, etc. He does everything from capturing direct sounds up to the final master. Also, has worked with directors like Alejandro Amenábar, Jonathan Glazer, Oliver Stone and Alejandro Iñarritu, etc.